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UltimateRealFiction

Welcome to my blog :3 My name is Yoann, and I do all kind of things.

I am interested in things that make me think, laugh or feel fuzzy with cuteness, as you can see from myanimelist or my shitposting tumblr. I am not interested in brainless action-driven pop culture, or anything about the real world.

I do a bunch of things:

  • my writings and games,
  • pseudo-philosophical essays, both aimed at highlighting new perspectives for reflection (not at being fully developed argumentaries).
  • the NotDailyPodcast, a podcast in the same vein with a friend of mine.
  • I also have an idea box where I store all kind of food for thoughts that I will flesh out here later (or never if they’re not fertile or original enough, since I want to explore new ideas and not reinvent the wheel).

I leave you with a list of keywords a la 90s Google referencing exploit:

#uploaded consciousness, #memes in the Dawkinian sense, #noematics, #contemporary and experimental art, #ironic appreciation of cringe, #fujoshi culture, #postmodernism and deconstruction, #aesthetics, #transcendance, etc

the Book of Maki

TW: Jordan Peterson

So I recently went to see Book of Mormon yet another time, and during the performance I started thinking that there may be an interesting parallel to draw with Hoshiai no Sora, a recent anime I liked a lot.

Book of Mormon tells the story of two mormon missionary sent to Uganda for their first mission. People there have it hard, obviously, and they understandably curse god for it in the famous catch phrase “Hasa Diga Eebowai. Faced with the impossibility to convert new believers, one missionary gives up hope, while the other one starts inventing random bullshit to keep people interested. In the end, the people get really inspired by the nonsensical bullshit, it gives them courage and hope in their struggles, and the show ends by everyone rejecting the established mormon church and founding a new church based on these fables. The last words are “Ma ha nei bu, Eebowai”, thank you god, paralleling Hasa Diga Eebowai.

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Now I’ve written a fair share of somewhat negative things about religion, especially institutionalized, but I think we have in this reversal of mindset something pretty interesting that I first came across in Jordan Peterson’s biblical analyses series. Among a lot of other things of course, he presents an interesting conceptualization of god as the possibility to make “a bargain with the future“. Following the unique human ability to deal with potential as if it was real (i.e. to act because of potential future causes), he posits god as an ever-present absolute that stands in as guarantor for this future. In this view, it makes sense to make sacrifices/efforts in the present, because there is something that acknowledges it and makes it pay off down the road. 

Image result for peterson philosophytube

In some way, that’s what we see in Book of Mormon. Belief, even in complete nonsense, gives strength to everyone to rise up and fight for the outcome they wanted. The point being, for Mr Peterson, when faced with hardships, turn off your negative emotions, man up, clean your room, believe, and be in a “Ma ha nei bu, Eebowai” mindset rather than a “Hasa Diga Eebowai” because that’s how you’ll get the best results.

I thought that this was worth digging into this a bit. Because it’s true, if you accept that the world is obviously deterministic and free will is an illusion, that consciousness is a more or less elaborate byproduct, a sort of “noise” that your internal gears are making as they turn. With no causal role, it’s therefore completely irrational to accept negative qualia/emotions, and it’s only logical to try and chase them. I don’t know if you’ll get best results, but you’ll tautologically be happier.

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But I really wanted to dig into this notion of best results. It may be intuitive that you’re more likely to be successful if you have a positive mindset, but this is kind of twisting the question on its head and looking at it the other way: considering a world where the success will happen (the role of the guarantor is to make this hypothesis easy), what mindset has the best chance of accomplishing it? Let’s work backwards from a potential success and see what lead us there retroactively.

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I’ve been struggling for weeks to try and formalize this reversal of point of view with  Bayes theorem (doesn’t it look similar ^^), but I’m getting nowhere with my Probability(success|guarantor). If you get somewhere please tell me. But maybe the reason I’m running in circles here is that we’re faced with a much simpler tautological framework, “100% of winners have tried their luck”

Image result for 100 des gagnants ont tenté leur chance

Working backwards from success may be precisely what belief allows. It’s the ability to trust that we’ll make it, that it will work out, that this possibility exists. I this model, that’s what the guarantor is for. Maybe the guarantor is here as a reference point, to help you out of a local extremum you’re stuck in, towards a real extremum. Or maybe it may be a case of the prisoner dilemna where the other person is guaranteed to be trustworthy, which brings the best long term outcomes.

Image result for prisoners of love producers

Someone made me notice that it’s a actually closer to a sort of Pascal’s wager: stars may or may not align, but if I want a successful outcome, my only rational move is to try (success = try + circumstances).

Stars align Stars dont align
Belief/try (B) success failure
Disbelief (¬B) failure failure

Stars Align” is not so coincidentally the english title of the anime “Hoshiai no Sora”. It is centered around a highschool club of soft tennis who have accepted that they kinda suck. Maki Katsuragi, a transfert student, shakes things up by making them notice that they’ll never get anywhere with this kind of attitude, and we get to see these adorable dorks progress at their own pace now that they believe in the future. As in Book of Mormon, you can see the shift from the “Hasa Diga Eebowai” mindset to the “Ma ha nei bu, Eebowai” mindset and its positive effect on the children, even though they may not win big. 

There are countless examples of this, though (albeit not as cute as this anime). Maybe the most notable is Les Schtroumpfs olympiques, where Schtroumpf Chétif only manages physical prowess when he believes he can win (because he believes to have ingested a special potion, which turned out to be strawberry jam). Yes, this is the actual parallel I wanted to make.

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In the end, american media did a good job at marketing the notions of “just believe”, but there may still be some truth to it. I think one of the best way to conceptualize this “belief muscle” is through cognitive science (and economy) and its model on preference theory and temporal discounting. It posits that the total “value” of a thing according to a human is equal to the sum over all instants t of the value at this instant, discounted by how far in the future this instant is:

A famous illustration of this is the marshmallow experiment: are children able to refuse a marshmallow right now (value of 1 marshmallow, no discount) if this will give them 2 marshmallow in 1 minute (value of 2/discount). In this toy example, they would if the decay factor discount < 2 (which makes 2/discount > 1 marshmallow).

I think the simplest explanation is that believing is training yourself to have lower discount factors (i.e. to value the future more). In other words, in this framework, god is an increment of the discount factor. 

And I guess it can be good for you? be it only if it helps you mute irrational negative qualia that don’t bring anything to the table.

 

Withering with you

Circumstances have kept me away from writing this article that has been burning in the back of my brain ever since I went to the local premiere of Makoto Shinkai’s latest movie – Tenki no Ko (weathering with you), in presence of the director himself. So let’s eagerly jump into it, with a lot of spoilers ahead for a movie you probably shouldn’t see.

Image result for tenki no ko Amano Nagi

I’m a big fan of Makoto Shinkai, and have been following his career with attention, including a bunch of interviews. Lately, he’s been finding inspiration in real world tragedies. Kimi no na ha (your name) was self-admittedly inspired by the nuclear disaster in Fukushima. It strikes me as a bit odd how you go from a real world tragedy to a fiction “love comedy” like that, but I can kinda see it, I guess it has something to do with awe in the face of something so much bigger than humans, or something about how beautiful human connections/solidarity are in the face of difficulties… 

This time Tenki no Ko is apparently inspired by global warming (the movie directly echoes many “record rains/temperatures/cyclones” that the director was telling us about seeing on TV). Very brief summary: in a world where the weather is getting worse and worse, a girl has the magical power to bring about the sun with certainty. She realizes that the only way to stop the trend towards environmental catastrophe is for her to disappear, which happens. 

Image result for temperature record

I’ll skip the problems I have with the cliche element of the story or its execution (and even over the borderline climate-skepticism ^^) to focus on what comes next. In a somewhat unexpected turn of events, the boy-love-interest refuses to sacrifice and comes to her rescue and persuades her that she should live, so she un-disappears and environmental catastrophe happens. 

Let me start by saying that I fully understand what the director was going for here. In the Q&A, he was explaining how our polarized society has become extremely judgmental and that it was important to be more tolerant, forgiving and let people live. He obviously also wanted to show that even if the environment is completely destroyed, we can still rely on human connections, find each other, find happiness, and ultimately live. He wanted it to be a message of hope and tolerance in the face of a gloomy future, and on some level I appreciate and respect this.

But this doesn’t mean we can ignore the content and implications of the movie, whose main motive is essentially “it’s okay to follow your desires even if it destroys the world”. Boy-love-interests simply willfully chooses the girl, meaning his desires, and by extension the material comfort of consumerist life, over actual efforts to solve the world problem. He chooses the selfish and easy way, even if it causes terrible consequences. Granted the situation would have been more complicated from the point of view of the girl, but the movie follows the boy.

Image result for simpsons burns nuclear

And that’s where I fundamentally disagree with the premise of the director. Sometimes when the stakes are so big it’s dangerous to cut oneself some slack and celebrate it. Huge problems like global warming simply can’t be solved by following the easy path. They require constant effort and attention. I don’t remember if the Q&A or the movie was mentioning that the character’s actions were okay because catastrophe “is not one’s person fault”, but using this to rationalize and exonerate individual actions is obviously a very dangerous slope. In actuality, it’s not one’s person’s fault means it’s every person’s fault and problem, and it’s simply not okay to not do effort and be proud of it. Seems like it’s precisely what got us into this mess.

In the Q&A, Shinkai was telling us that one of the things he cared the most about this movie was a scene at the end where the girl, back in a now destroyed world, was looking over the result of the catastrophe addressing a silent prayer. He was using this to justify that the characters cared about the world. 

not this one, imagine it under the rain

But of course they care, just not enough, and this scene illustrates the problem with a tragic clarity. Her empty prayers are too little too late, completely ineffective, especially when put in contrast to the actual effort that was effective. In a way, this picture shows brilliantly that intentions and care are not enough, and that they mean nothing compared to our choices and actions which are what destroyed this universe. This  may make her feel better, but it doesn’t actually help anything, and it may even become dangerous/negative if used to disculpate destructive actions (“I know I’m doing the wrong thing, but I still care and pray it away”). We actually have a great example and all know too well how effective are “thoughts and prayers” at stopping the mass shootings in some parts of the world. 

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This movie’s accidental depiction of the meaninglessness of intent versus choices and actions is pretty beautiful and certainly its greatest success. This is all well and good, but it wouldn’t be this blog if we just stopped there and didn’t dig a little more, would it? When all is said, I may have had a very hard time watching this movie, but I still think there are two extra noteworthy points to take out of this… morally questionable enterprise. 

Japanese consumers use 30bn plastic shopping bags each year, but it lags behind major European initiatives on phasing reusing and recycling.

The first one is a great cautionary tale about the appeal of individualism, consumerism and material comfort. Japan, with its mostly-coastal cities and its frequent typhoons, is certainly being hurt pretty bad by the climate crisis. But if even Japan can rationalize choosing consumerism over environmentalism, it says a lot about how strong its appeal is, and how strong efforts need to be in order to stop its excesses. If even the regions most impacted by its side-effects can be seduced into an over-indulging lifestyle, the will we must deploy to counter this attraction is quite formidable. Especially when inaction is always easier.

Image result for death note kira plan

The second point is about intent: as I said, I have no doubt that Makoto Shinkai did not set out to make a pro-climate-crisis movie, and just wanted an uplifting tale of hope. So this movie is actually a great example of how you can end up writing something very questionable even with the best intentions, without realizing it. It’s so easy (perhaps inevitable) to be misunderstood or have unintended consequences. You can probably never be sure that what you say or write doesn’t have a potentially completely opposite effect to your original intent. So be careful about what you say and do, and the way you do it. And most importantly, be lenient with others, be tolerant and forgiving. Through a weird roundabout (and meta) way, Makoto Shinkai actually demonstrates with this movie what he wanted to say in it.

A ‘A christmas carol’ Carol

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STAVE  I – Dickens’ Ghost

Charles Dickens was dead, to begin with. There is no doubt whatever about that. The time he roamed the streets and wrote his tales is now long gone by many decades. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate.

The other fact to bear in mind as we move into this story is how utterly plain and unremarkable its protagonist is. Apart from the events of this book, your faithful servant never attracted much attention. I led the most normal of lives, waking up as anyone would, splitting my days between a very normal work and very regular hobbies before going back to a most normal sleep. There was no setting me apart from any of my contemporaries.

So you can imagine my surprise when something quite peculiar happened once upon a time—of all the good days in the year, on Christmas Eve. I was readying myself for a traditional Christmas. It was cold, bleak, biting weather and I was alone in my room from where I could hear the people outside, beating their hands upon their breasts, and stamping their feet to warm them. 

I was turning my head to have a proper glance at them when I saw in the window, as clear as one can see their reflection when it is bright inside and dark out, a pale old face that looked familiar. Charles Dickens’ face. But as I looked fixedly at this phenomenon, it was just a pane of glass. To say that I was not startled would be untrue.

“Humbug!” I said as I took a seat.

The door flew open with a booming sound, and then I heard a clanking noise come closer and louder, straight towards my door. And then stood before me Charles Dickens, in his pigtail, usual waistcoat, tights and boots. His body was transparent; so that I could see behind.

“It’s humbug still!” I said. “I won’t believe it.”

“Be still!” Dickens’ voice intoned me. “I have much to tell you. For I am doomed to wander through the world—oh, woe is me!—and witness what I cannot any more partake. I am condemned to be an impotent witness to the wrongs of the world. There is so much suffering and pain. So many evils and wrongdoings. And so little deserved…”

“I am doomed to stare at all and ascertain that it can be helped. None of this is inevitable, everything could be changed for the better. But not by me. It is too late for me. I cannot do anything. I cannot rest, I cannot stay, I cannot linger anywhere. There is no torture like being powerless next to the suffering innocent and knowing what could have been. So much could I have done, so little did I do! No space of regret can make amends for one life’s opportunity misused! Yet such was I! Oh! such was I!”

He paused for a while, letting the emotion in his voice trail off.

“Hear me!” cried the Ghost. “My time is nearly gone.”

“There is no light part in my penance, there is no fleeing my torment.” pursued the Ghost. “I am here to-night to warn you, that you have yet a chance and hope of escaping my fate. A chance and hope of my procuring. It is not too late for you. You will be haunted by Three Spirits.”

The prospect seemed dreadful, but the confidence of his tone left no place for response.

“Without their visits,” resumed the Ghost, “you cannot hope to shun the path I tread. Expect the first prestly.”

The apparition walked backward; and at every step it took, the window opened itself a little, so that when the spectre reached it, it was wide open. It beckoned to approach, and soon as I did, floated out upon the bleak, dark night.

I tried to say “Humbug!” but stopped at the first syllable. And being, from the emotion I had undergone, or the fatigues of the day, or this glimpse of the Invisible World, much in need of repose; I sat back and rested my eyes for a thought.

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STAVE  II – The First of the Three Spirits 

When I came to, it was so dark, that looking up, I could scarcely distinguish the transparent window from the opaque walls. Light flashed up in the room upon the instant, and I was faced with an unearthly apparition.

It was a strange sight – like a book, yet not so like a book as like a bird, floating eerily at the height of my eyes, surrounded by a cloudy mist that appeared to brim with a pale light. Much like the ghost of Charles Dickens, I could see through its translucent pages, but I could also decypher its content. It appeared to be very old, its pages seemed worn out, and they were adorned with hand drawn pictures. 

“Are you the Spirit whose coming was foretold to me?” I asked.

It was rhetorical, and I did not expect an answer, but to my surprise one came:

“I am!”

The voice was soft and gentle. Singularly low, as if instead of being so close beside me, it were at a distance.

“Who, and what are you?” I demanded.

“I am the Ghost of ‘A Christmas Carol’ Past. Mine is a tale of redemption and glee. I tell of an old miser of the name of Scrooge who lived in loneliness obsessed by money and greed. He is visited on Christmas by Spirits who accompanied him through his memories of a hopeful past, the alternative of a cheerful present, and the prospect of a dire future. The tale ends with him deciding to mend his ways and to make amends for his selfish past. He turns selfless and comes to understand how little money means.”

“Such an inspiring account. So it is possible! I shall endeavour such a change.” 

“Possible it may be.” replied the Spirit. “But truth is seldom so simple, and one epiphany does not a good man make. Rise! and walk with me!”

As the words were spoken, the Ghost lead me towards the wall, and in an instant we passed through it. We arrived in a small candle lit study where a man I recognized was writing a letter energetically. 

“What is he doing? What could trigger such fervor in the man who birthed this tale?” 

“It’s a year after I was published. My author is writing a strongly worded letter to his solicitor. He is suing a rival publisher for copyright infringement over a tweaked copy of me. He was frustrated by my financial results. The rival publisher will lose the suit and declare bankruptcy, and he will go on to quarrel others that were menacing his gains.”

“Irony can be pretty ironic. So he still wanted the fame and profit.”

“He probably earnestly strived for a better Christmas, but the world alas remains. It takes tremendous efforts even for the earnest to do the righteous thing. I am but a story. Christmas is but a day.” 

The ghostly tome lead me to others. We saw children gathering around the fireplace to listen in awe to their parents reading the tale. How inspired they were by the story of the ghosts, how gleeful they were at the joyful denouement, how fast they ran away to go back to their toys. And yet they seemed somewhat kinder to each other. 

We saw lonely elders reading the tale that felt so close to their own lives, so much so that they wept transfigured by the conclusion. They grew selfless and helped their neighbor, but as the days rolled and the time passed, the emotions also faded and life took back its course. It’s only natural that intents would wane and inertia triumph, but their small attempt did make the world a smitch better. 

We saw all kinds of people demonstrating care and abnegation in the Christmas time, partaking in charity and helping the poor, but their resolution melted with the snow and the rest of the year was their own.

“Oh, that it were Christmas every day!” I lamented in a broken voice. “So much promise washed away by the rigor of life. Spirit! Remove me from this place! I cannot bear it!” 

I turned upon the Ghost, and seeing that it looked upon me with a face, in which in some strange way there were fragments of all the faces it had shown me, wrestled with it.

“Leave me! Take me back. Haunt me no longer!”

There was a flash of light, and the struggle was over.

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STAVE  III – The Second of the Three Spirits

I had no chance to regain my spirits or ponder my thoughts before holding a conference with the second messenger despatched to him through Charles Dickens’ intervention. Now, being prepared for almost anything, I was still not expecting the form of my second visitor. On the table stood a box of cardboard, adorned with a smile and the letters “AMAZONPRIME”. As I opened the container to reveal its prize, I saw that it was a thin circle imprinted with a green socket frog, and titled in golden “HD remake 2 extra collector edition”.

“Look upon me! and know me better, man!” said the Spirit. “I am the Ghost of Christmas Present. Have you never seen the like of me before? I have countless siblings.” 

“Spirit,” I said submissively, “conduct me where you will. I went forth last night on compulsion, and I learnt a lesson which is working now. To-night, if you have ought to teach me, let me profit by it.”

“Touch me!”

I did as I was told, and held it fast. The room vanished instantly, and we stood in an immaculate space, where innumberable desks aligned in a vertiginous geometry. All was plastic and metal, and everywhere were buzzing activities and conversations. People were happy, grateful, pleased with one another, and contented with the time; and when they faded, and looked happier yet. It is a fair, even-handed, noble adjustment of things, that while there is infection in disease and sorrow, there is nothing in the world so irresistibly contagious as laughter and good-humour, and their roar were heard all around.

“What merry place.” I said bewildered, “Spirit, how is this that these people are so jolly?”

“It is because their profits are up.” returned the Spirit. “See!”

They were cheering:

“A Merry Christmas to us all, my dears. God bless us! And so does the market.”

They looked happier yet in the bright sprinklings of the colored graphs on display around them. All were pointed up.

“Christmas is always our most profitable period, but this is beyond our predictions!” a voice exclaimed.

The speaker revelled in another laugh, and as it was impossible to keep the infection off, his example was unanimously followed.

“Oh what a strike of spirit to have wagered on the traditional christmas values. Nothing sells quite as well as authenticity!”

“That it does, my good friend, that it does!” said another, clapping their hands. “Why risk any chance when making a Christmas Carol anew brings the people what they want.” 

“Christmas is the best of brands, and its eery happiness is the best of products!”

Handshakes and accolades were exchanged all around. None of them showed sign of leaving.

The Ghost lead me to other offices where the same glee was partaken. Then to some markets where passersby were searching for trinkets to impress their peers and fulfil conventions. There was no quenching the thirst that fueled their devouring consumption. It only begat more, trapped in a solipsistic loop.

These were the tales that were told at Christmas Present. Problems were forgotten and kept under wraps. What irony that the tale supposed to warn against greed had become its most faithful instrument even though it was known by all. It was a feast, all right, but the meaning had changed. Out went the heartfelt abstinence, and everything became opulence, appearances and mediated by money. None could see beyond themselves anymore. Quite a removal from the original Christmas Carol.

I looked about me for the Ghost, and saw it not. I remembered the prediction of old Charles Dickens, and lifting up my eyes, beheld a solemn Phantom, draped and hooded, coming, like a mist along the ground towards me.

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STAVE  IV – The Last of the Spirits

The Phantom slowly, gravely, silently approached. It was shrouded in a deep black garment, which concealed its head, its face, its form, and left nothing of it visible save one outstretched hand. But for this it would have been difficult to detach its figure from the night, and separate it from the darkness by which it was surrounded.

“I am in the presence of the Ghost of Christmas Yet To Come?” I said.

The Spirit answered not, but pointed onward with its hand.

“You are about to show me shadows of the things that have not happened, but will happen in the time before us,” I pursued. “Is that so, Spirit?”

The upper portion of the garment was contracted for an instant in its folds, as if the Spirit had inclined its head. 

“Lead on! The night is waning fast, and it is precious time to me, I know. Lead on, Spirit!”

The Phantom moved away and I followed in the shadow of its dress. But around us grew darkness. Soon, we were on all sides surrounded by nothingness. The ground was covered in dry ash. The wind howling in my ears soon turned into many voices whispering in pain and pleading for relief.

“So dark! So bleak! Is there no light any more? Is the unborn already doomed? Is there nothing but pain, suffering and death? Oh cold, cold, rigid, dreadful Death.”

The voices in the wind carried to me the hoarse voice of a weak mother, reciting to her sickly child a christmas carol. Tiny Tim replied in a trembling voice.

“So it is not too late. So there is still some hope. God bless Us, Every One!”

And the mother wept.

“Oh, Man! look here. Look, look, down here!” exclaimed the Ghost.

They were a boy and girl who had been following us. Yellow, meagre, ragged, scowling, wolfish; but prostrate, too, in their humility. Where graceful youth should have filled their features out, some force had pinched and twisted them, making them monsters of horrible and dread.

“Spirit! are they yours?” I could say no more.

“They are Man’s,” said the Spirit, looking down upon them. “And they cling to me, appealing from their fathers. This boy is Ignorance. This girl is Want. Beware them both, and all of their degree, but most of all beware this boy, for on his brow I see that written which is Doom, unless the writing be erased. Deny it!” cried the Spirit, stretching out its hand towards the black sky.

“Spirit!” I cried, tight clutching at its robe, “hear me! I am not the man I was. Your nature intercedes for me, and pities me. Assure me that I yet may change these shadows you have shown me, by an altered life! I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach. Oh, tell me I may sponge away the emptiness and terror of what is yet to come!”

In my agony, I caught the spectral hand. Holding up my hands in a last prayer to have my fate reversed, I saw an alteration in the Phantom’s hood and dress. It shrunk, collapsed, and dwindled down until it could not be perceived.

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STAVE  V – The End of It

 

I finally reached the last word, and detached my gaze from my reading. Quite an interesting tale, this carol of christmas carols. Really made you ponder on the difficulty of change.

I was out of my immersion, back to a reality that was my own, in a room that was my own. Best and happiest of all, the Time before me was my own, to make amends and improve the world in!

“I will live in the Past, the Present, and the Future!” I repeated. “I shall be selfless, I shall make the world better for everyone. And I shall prevent the dreadful fate that befell the world of my vision, and this poor poor Tiny Tim”.

So I wrote, conversed and tried to spread the lesson the spirits taught me. I endeavoured to partake in charities and benefactions, and tried to help my neighbor. And most importantly, I tried to keep the flame of the carols going after the night of Christmas. 

But time passes and flames do wane. Many a night I wept in despair, when all of it seemed vain and the world showed no sign of redemption. Surely, in spite of my best effort, did my fervor falter, for I am just like any human and therefore prone to fail. But my intentions were pure, and I would never let the dread I foresaw befall us.

Though how can I help if I don’t eat? How can I eat if I don’t work? Life goes on, that much is true, and one cannot escape it. You know what I mean, don’t you?

So as Christmas approaches, I offer you this carol, in hope it helps in any kind of way. And I bid you farewell to tend to all other things in life that are pressing. I have to buy presents for my family. I think I’ll order the new version of the Muppets’ Christmas from Amazon.

May your Christmas be merry and kind. And so, as Tiny Tim observed, God bless Us, Every One!

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